First,
congratulations to the organizers of the opening ceremony for not
showing a half-naked woman dancing samba.
This stereotype is
doing today as much harm to Brazil as it is doing to one of its most
important "trademarks" : SAMBA itself.
But there are some
things the cerimony could have done better:
The opening ceremony
showed parts of brazilian folclore, such as FREVO, DANÇA GAÚCHA,
COCO and CAPOEIRA.
Among these, what
came across rather nicely was (the internationally already
well-known) CAPOEIRA, with its acrobatic moves.
Unfortunately though
on the other hand the less famous FREVO wasted this opportunity to
impress the spectator: The dancers did not show any of the
sometimes acrobatic, sometimes subtle, but always spectacular and
unique moves that are so characteristic to FREVO. I do not know
why, this might be due to the difficult surface on which the dancers
had to perform, or simply, the dancers selected for the show were not
good enough.
This is a shame,
because without these moves, FREVO is reduced to some "hopping
around" in circus-like costumes - in short, it looses its
essence.
The last part of the
show featured three singers (two american and one brazilian): world
famous JENNIFER LOPEZ, rather little known PITBULL (whose most brazilians learned about during the cerimony) and CLAUDIA LEITTE.
The choice of
PITBULL and JENNIFER LOPEZ for the official song has already
surprised most brazilians, even more the choice of the opening song.
After all the song
was an american song with an american rhythm, instrumentation and
sound, sung by two americans, with only “a
participation” of a brazilian singer at the end. (The only attempt to relate this song to the host nation, by the way)
There was some
attempt at giving it hispanic flavour as two of the singers had
Spanish surnames, and one of them even sang part of it Spanish.
But even with this Spanish touch the song is deeply rooted in the musical culture north of Miami:
One should not
confuse Hispano-American culture with Hispanic-American
culture born in the U.S. The latter has a strong influence from
other popular currents of U.S. american music (such as afro-american
hip hop). PITBULL is such an example, after all he is a rapper...
I do not think this
was an attempt to approximate brazilian music with north-american hispanic music. FIFA knows very well that hispanic-american music
and brazilian music are two different pairs of shoes, such as FRENCH CHANSON and BRITPOP.
I also do not think
it was an attempt to produce a song with internationally well-known
artists or with an international flavour (in this case FIFA could
have asked MICHEL TELÓ or GUSTTAVO LIMA).
I assume that it was
simply a concious choice to feature two U.S. artists, with a song aimed at the
U.S. public. After all the U.S. is very large market and “soccer”
has a lot of potential to grow there.
Similarly the
closing cerimony featured two non-Brazilian artists, WYCLEF JEAN and CARLOS SANTANA and ALEXANDRE PIRES.
Again the U.S. american influece in the music of WYCLEF JEAN was very obvious. He
is called a haitian artist, but I do not know what of haitian music
remains?
I think it is only
dangerous selling U.S. music for music from other countries, it can
kill diversity.
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